SERGEI GLUSHKOV His specific treatment of light and rich palette make many of Glushkov's studies look more like the pictures of the father of Russian landscape painting Alexei Bogolyubov, who had a special eye for colour. Glushkov's work has been profoundly influenced by the Orthodox Church and his genuine interest in Russian history, which is felt in his serious attitude and pursuit of maximum exactness when he copies old masters. He has inherited their skill in conveying that particular atmosphere, those peculiar details characteristic of the lifestyle of past epochs which are seen in his architectural monuments of old Moscow. Such are his "Winter in Kuskovo", "Church of the Nativity of the Virgin in Vishnyaky". His portrayal of Russia's provincial towns, "Pereslavl-Zalessky", "Sunset in Retretsovo" and others, amaze with the special charm of something past and gone, something difficult to spot in the crowds of the monstrous megacities. You can hardly grasp the idea of what Russia is, the profound and enigmatic "ame Slave", without understanding the beauty of the Russian wilderness, small villages or the impressive dignity of old Russian churches. As Ivan Shmelev, a great Russian author of the 20th century, said: " It is nonsense to think that the provincial wilderness can swamp a man. The whole of Russia is living in the wilderness, creating things. It is only there that a man can get absorbed in himself to understand life "
SERGEI GLUSHKOV
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